The Day of Forevermore, Marnie Weber’s first feature film, is the culmination of the artist’s long career as a weaver of macabre and otherworldly scenarios through art, film and music. Over the last 25 years Weber has created her own distinctive realm of avant-garde folk art, a personalized occultism which, although highly idiosyncratic, is easily accessible on the level of pure...
Native New Yorker Beth Rudin DeWoody may be one of the most energetic collectors in the world, with a collection that includes about 10,000 works, mostly of 20th and 21st century art. Collecting since the 1970s, Rudin DeWoody consistently makes ARTNews’ Top 200 Collectors list, and is included in artnet News’ list of The 100 Most Powerful Women in Art: Part Three.Rudin DeWoody is notable for her...
Shutting down a major museum for three years of expansion may seem like suicide, but the newly reborn San Francisco Museum of Modern Art proves it can be a great success. SFMOMA reopened to the public on May 14, preceded by several weeks of well-orchestrated previews and parties. The new 10-story wing designed by Snøhetta is brilliant, both outside and in. The white siding of undulating “waves”...
In San Francisco’s downtown gallery district, one building, 49 Geary Street, once held the greatest concentration of the best galleries—over 20 on five floors. With Gallery Paule Anglim across the street at 14 Geary, and a half-dozen more at 77 Geary just down the street, this one block had anchored the whole SF gallery scene. As tech boomed, Bay Area real estate became red hot. For artists and...
Not content with a refurbished building that makes them the largest contemporary art museum in America, the San Francisco Museum of Modern Art is courting patrons with interactive technology that enhances and even transforms the viewing experience.Visitors are invited to navigate the vast 170,000 square feet of indoor/outdoor exhibition space via a new iOS app (also available on Android in phase...
Hauser & Wirth have galleries in Zurich, London, New York and now Los Angeles, but in rural Somerset, England, Iwan and Manuela Wirth have created a mini-Eden in which they bring all their interests together: art and architecture, conservation and food, community and family. They’ve already had some notable exhibitions by the likes of Phyllida Barlow and Jenny Holzer. A love affair rather...
By way of a smallish retrospective at the New Museum titled “Al-ugh-ories,” and a major exhibition of new paintings at Anton Kern Gallery “Magnificent Delusion,” Nicole Eisenman has lately given New York audiences a lot to look at. One of the intriguing things about her paintings is that their anecdotal specificity opens up the interpretive possibilities, rather than delimiting them. Whether...
Could that structure perched uneasily on the roof of the Metropolitan Museum of Art be from the set of a horror movie, or is it a metaphor for the psychodrama of American art? The horror! The horror!If it looks familiar, that’s because its outlines entered the popular imagination more than 50 years ago, with Alfred Hitchcock’s Psycho. Its timbers have been around for years as well, as an icon of...
“Revolution in the Making: Abstract Sculptures by Women, 1947–2016” inaugurates the sprawling new complex recently opened by Hauser Wirth & Schimmel in downtown Los Angeles’ Arts District. Housed in a former flour mill that dates back to the late 19th century, the gallery occupies an entire city block, including a bookstore and an upscale restaurant, with more square feet of gallery space...
Street photography is one of the great genres of modernist photography, peaking at mid-century with the work of Robert Frank, Gary Winogrand, Helen Levitt and others who used the camera to capture the strange little extemporaneous moments one experiences walking city streets. It was the photographic equivalent of Abstract Expressionist painting, because it so perfectly defined the essence of the...
A series of precious objects rendered in oil paint requires your intimate proximity. Tiny tactile paintings of levitating furs, beaded coin purses, costume jewelry and sequin fabrics depict trompe-l'oeil images of feminine objects commonly associated with glam,...
Southern trees bear a strange fruit. Billie Holiday's iconic song “Strange Fruit” serves as a haunting metaphor for racial violence, evoking the historical and ongoing pain of Black Americans. The song was originally written by Abel Meeropol in 1937 in the form of an...
Comprising seven different exhibitions, “Activation” is an exciting series of works from six individual artists as well as a selection of activist graphics. Featured artists and their exhibitions include Mark Steven Greenfield, April Bey, Carla Jay Harris, Keith...
Hidden amid the bustle of the Bowery, one of New York’s most chaotic streets, is Geary Contemporary, a gem of a gallery that has been quietly making a name for itself with engaging exhibitions of emerging artists. In its latest show, Red Velvet, Orange Crush, Geary...
Sky-rocketing gasoline prices accompanied by worries of war in Ukraine even as the planet attempts to turn the pandemic corner is more than enough to hold happiness hostage. However, Sonya Fe’s exhibition “Are You with Me?” at the Riverside Art Museum recaptures the...
A series of curious doors assembled in neat parallel lines resemble haunted monuments or an uncanny labyrinth of portals to seemingly familiar spaces. Fiona Connor’s solo exhibition, "My muse is my memory, an archive of Closed Down Clubs" is an ongoing series that...
Nancy Youdelman’s Button Dress from 1972 hangs in the window of a nondescript gallery on Fountain Avenue. The garment represents early feminist strategies that confronted and subverted domestic roles and “feminine” mediums traditionally prescribed to women and labeled...
LA-based painter Tidawhitney Lek’s first solo show “House Hold” at Sow & Tailor comprises 10 paintings and two sculptures, examining the personal dichotomies experienced by living in contemporary LA while concurrently being “held” by familial trauma—particularly,...
“Laurie Anderson: The Weather” at the Hirshhorn Museum and Sculpture Garden is the largest US exhibition of Anderson’s work to date. At 74, Anderson continues to be immensely creative as multimedia artist, performer, musician and writer—the show includes more than a...
The landmark exhibition “No Humans Involved” was remarkably compact, filling a single gallery at the Hammer with installations by only seven artists. Its impact, however, was seismic and sustained. Its title alone was enough to take viewers aback—and that was part of...