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Mike Ott’s Pearblossom Hwy reaches for reality, in a real way, sort of. LA filmmaker’s Mike Ott’s last movie–LiTTLEROCK (2010) was a surprise smash in indie terms, racking up the kewpie dolls at LA’s AFI Fest, indie fests in Boston, Reykjavik, and Montreal and the...
It’s that time of year again. The clocks have gone back, the streets are strewn with fallen leaves and there is culture, culture everywhere. Not only is the London Film Festival in full swing but there is Frieze Art Fair—with ever more American and Asian galleries...
“White Riot…be the beacon, be the light. KO’d by love” seduces with its elegance then simultaneously puts one off and seduces a second time with its literary and other cultural presumptions. Not pretensions: we can see that Capistran is intimate with these literary...
Michael Light has been shooting photographs of the western U.S. landscape for over 20 years. They are generally taken from a small light airplane that he flies himself, and explore the majesty of these vast and variegated lands, creating dense patterns akin to...
In her current work, Kerry Tribe appropriates content from Hollywood films, specifically those shot at the Greystone mansion in Beverly Hills, piecing together dialogue culled from over 60 films. “There Will Be ” features the 30-minute original film Greystone, as well...