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Richard Jackson is a maniac with paint. His current retrospective is a testament to the gargantuan ambitions and massive amounts of energy he has displayed over a 40-plus-year career. The exhibition’s title, “Ain’t Painting a Pain,” is indicative of his commitment to...
Fans of Art Spiegelman’s seminal graphic novel Maus can be forgiven for writing off Spiegelman as a one-hit wonder. After all, before producing the two volumes of the Holocaust memoir, which almost single-handedly turned the lowly comic book into a serious literary...
“Abstraction talks her head off. She has a lot to say.” You might not hear her right away, but Jennifer Wynne Reeves does. “I tune out or listen,” she adds, in the penciled text within a painting, “rattled by her noisy silence.” She is also silently talking back. She...
Challenging assumptions about figure and ground, nature and industry, Robert Ortbal’s “Hide and Seek” reveals the instincts of a scientist exploring quirky bits of flotsam that speak to our human condition. Ortbal’s hybrid constructions mesh organic and man-made...
Kelly Barrie’s hybrid process at first seems antithetical to photography and its ability to stop time, yet it is through his improvisations—like the nimbleness required by a skater or graffiti writer—that his work ingeniously engages a series of paradoxes. Rather than...