No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
Gregory Michael Hernandez makes maps, composite environments, deliberate negotiations into our collective humanity as a means of locating what appears to be a seemingly and endlessly metaphoric universe. Los Angeles figures prominently here as surrogate muse; the...
The annual CalArts-sponsored RADAR L.A. festival of contemporary theater had serious offerings this year of works outside the cultural references of the English-language. Some presentations were more successful than others, based purely on the dynamics and politics of...
The inside of Steven Hull’s brain could be likened to a flowering tree in constant bloom. His newest effort, “Balcony” is an exploration into the various ways that meaning is extrapolated from any artwork, or for that matter any “thing” in the living known world....
Every now and again an artist comes along for whom the process of making art is both revolutionary and reverential. Mark Dutcher’s first solo show in almost five years, entitled "Transfer" is a visually transformative experience punctuated throughout as testaments of...
In Sarajevo, it only makes sense to remember the day that’s just passed. —Semezdin Mehmedinović, “What Will You remember?” from Sajevo Blues (San Francisco: City Lights Books, 1998), 67. What happens when a notoriously heterogeneous people is asked to deny its own...