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Any time an artist can invoke Michelangelo and Steve Ditko in the same work, he deserves considerable respect. At least that is the feeling one gets from the impressive show of work by Jim Shaw recently on view at Blum & Poe. As expected, Shaw’s work is erudite...
Karen Carson has a tremendous sense of humor, as is evidenced in her most recent exhibition at Rosamund Felsen. Having chosen farming equipment—most prominently, tractors—as her subject matter, Carson revels in the sheer monumentality and vibrant colors of these...
“People from the village,” said David Hockney recently in The Smithsonian, “come up and tease me, ‘We hear you’ve started drawing on your telephone.’ And I tell them, ‘Well, no, actually, it’s just that occasionally I speak on my sketch pad.’” How did Hockney...
Lesley Vance’s work may at first read like Diebenkorn in miniature, but her solo show quotes midcentury abstraction in a distinctly Reagan-era palette; little messages from the 1960s retold in twilight Cold War parlance. The gallery walls nearly swallow her small...
When not sure what to say or write, one might fill space with “x x x,” “blank blank blank” or “. . .” Petra Cortright titles her recent exhibition with all three—“x x x blank blank blank . . . ”—alluding to casual causality and ideas that will be completed...