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“Western Noir,” an exhibition featuring Eric Nash's newest paintings are currently on view at Skidmore Contemporary Art at Bergamot Station in Santa Monica. At first glance, his work brings to mind “Old Hollywood” featuring a youthful, yet noir-infused Los Angeles:...
In Scott Stark’s The Realist—fresh off premieres at the Toronto and New York film festivals, and screening later this month as part of a REDCAT nano-retrospective of Stark’s three-plus decades of tenacious experimentalism—a gaga pair of drop-dead gorgeous...
The title of Iva Gueorguieva’s show “Spill/Frame” seemed almost a naked admission of its strategies and ambition with a concomitant risk of crashing, careening failure. In almost all of the works on view there was both a willful, self-imposed notion of the edge or,...
Fragmented and contorted bodies in motion span the gallery as if onstage in Bettina Hubby’s exhibition “Pretty Limber.” Large-scale figures made of vinyl decals float across the space, wrapping around corners and emerging from the floor. Composited from numerous...
Through a process of intellectual, historical and geographic research, Alex Slade makes evident, and critiques thereby, the social forces that shape the American landscape. Landscape-oriented American photographers have been preoccupied with this issue since the...