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Fischli and Weiss are up to some elaborate shenanigans. Walking in from the street, under the severe brow created by the Ellsworth Kelly block style building-remake of the Matthew Marks Gallery façade, a viewer might think that they were accidentally let in between...
German filmmakers Christine Lang and Constanze Ruhm have thrown movie-making ingredients intelligently into a blender. After 15 minutes of imbibing this concoction, questions as to whether your taste agrees with it, and a curiosity about what specific elements are in...
Small municipal museums are hard pressed to coordinate their programming into coherent wholes; if a local museum doesn’t fill its walls with a single exhibition, its variety of shows comprise confusing, sometimes clangorous gallimaufries. Lancaster’s MOAH has devised...
Americans who know Cuba only through movies (God-father 2, Before Night Falls) and familiarity with a few star Cuban artists (Wifredo Lam, Ana Mendieta) are guilty of the oxymoron of mainland insularity, a product of Cold War tensions that arose in 1959 with the...
Throughout our evolution we’ve been afraid of the dark. As creatures primarily endowed with encephalic gifts, we aren’t well-equipped to vie with nocturnal animals, full of tooth and claw and with more finely attuned senses. They make quick work of us when we don’t...