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In artist-filmmaker Morgan Fisher’s fourth solo show with International Art Objects (formerly China Art Objects), vintage 1930s house paint samples are enlarged to three-by-four-foot panels and rendered in modern acrylic house paint. These color fields are taken from...
The photographs by Miles Coolidge recently on display at ACME, Los Angeles, are magnificently beautiful examples of the photographer’s craft. Simply as aesthetic objects, the photos are compelling: composed according to simple underlying geometries, they nonetheless...
Fischli and Weiss are up to some elaborate shenanigans. Walking in from the street, under the severe brow created by the Ellsworth Kelly block style building-remake of the Matthew Marks Gallery façade, a viewer might think that they were accidentally let in between...
German filmmakers Christine Lang and Constanze Ruhm have thrown movie-making ingredients intelligently into a blender. After 15 minutes of imbibing this concoction, questions as to whether your taste agrees with it, and a curiosity about what specific elements are in...
Small municipal museums are hard pressed to coordinate their programming into coherent wholes; if a local museum doesn’t fill its walls with a single exhibition, its variety of shows comprise confusing, sometimes clangorous gallimaufries. Lancaster’s MOAH has devised...