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The overt theme of “Damage Control: Art and Destruction since 1950,” curated by Terry Brougher and Russell Ferguson, is the presence of destructive force(s) in art since World War II—a trajectory of investigation whose origins in the war (especially its nuclear finale...
John MillsJohn Mills’ recent exhibition at Rosamund Felsen Gallery is compositionally complex and visually challenging. As the title suggests, High On Signs represents the artist’s love affair with line and shape and more importantly perhaps, the iconographic...
John TottenhamJohn Tottenham, who regularly graces Artillery’s pages with his near orgasmic wit and verbal subterfuge, is a fantastic artist, though in typical self-deprecating style, he might in fact tell you otherwise. “The Indifferent Sublime” is, well, truly...
Koi No Yokan IIImagine meeting someone, and knowing that you will one day fall madly in love with that person, and you have mastered the Japanese concept of Koi No Yokan. Love is not immediately activated, as in the American sense of “love at first sight,” but becomes...
“The Abandonment of Art, 1948–1988” at MoMA showcases more than 300 pieces by the groundbreaking Brazilian artist Lygia Clark whose ultimate emphasis was on the sensorial experience of art. Altering the viewer’s perception and experience of her objects permeates...