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In much the same way Chris Burden imbues his visual vernacular with his own brand of personal/social provocation, Sean Duffy, in his newest exhibition, aptly titled “Paintings,” at Susanne Vielmetter, shatters the expectation of the pristine sacred surface, electing...
The concentric circle, or target, has been one of the predominant motifs in American abstract painting for the last half-century or more, and, as a result, to wring unexpected changes from it has become increasingly difficult. Gary Lang has made the multi-orbital...
Piggybacking on Kim Stringfellow’s recent successful documentary, exhibition, and publication—JACKRABBIT HOMESTEAD: Tracing the Small Tract Act in the Southern California Landscape—Flora Kao explores and examines remnants of abandoned homes in the Mojave desert, the...
Can the aftermath of a nuclear disaster or any other kind be measured or quantified? Certainly not with a handmade yard-stick. British twins Jane and Louise Wilson ponder these questions in their compelling exhibition “Imperial Measure.” The installation of...
Plus ça change, plus c'est la même chose. Or not. Fred Lonidier’s recent show of photographic work provides a telling demonstration of two inextricably interconnected facts. First, that a vast cultural chasm has opened up between the present world and that of the...