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Pitzer College's exhibition, "Racial Imaginary," the visual art component of a larger project that includes a book of essays, musings and poems, demonstrates the fecundity of race and identity for artists of all media and aesthetic proclivities. The featured artists...
Robert Olson was a colleague and fellow art world traveler. From the beginning his work was marked with a deep sense of isolation, and it this deeply private motivation that suffuses his retrospective at the Luckman Art Center. Spanning a twenty-year period, the show...
The Los Angeles County Museum of Art continues to set a high bar for film exhibitions with their latest, “Haunted Screens: German Cinema in the 1920s.” The striking exhibition design by architects Amy Murphy and Michael Maltzan has it “interrupted” by three...
In a brick-arched space of the Serpentine Sackler Gallery—a Grade 1-listed 19th-century building in the middle of Hyde Park, originally designed to store gunpowder during the Napoleonic wars—a strange noise is being emitted. It comes from a pair of transparent...
Forrest Bess (1911–77) was, by his own account, a man divided. He saw himself as containing two selves: the masculine, roughneck hard-drinking fisherman, and the sensitive painter. He believed that he could unify these parts of himself by surgically becoming a...