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“To articulate the past historically does not mean to recognize it the way it really was,” wrote Walter Benjamin. “It means to seize hold of a memory as it flashes up at a moment of danger.” Dexter Dalwood, a previous nominee for the Turner Prize, examines in this new...
The first ever retrospective of Pierre Huyghe’s work presents 50 works spanning 20 years which, like flicking through a scrapbook, provide a montage of Huyghe’s most prevalent themes, motifs and inspirations, drawn from the fields of literature, film, music, science...
To walk into the Jim Morphesis exhibition at the Pasadena Museum of California Art is to be flooded by rich, intense waves of color. The tsunami of red, blue, black and white is matched by roiling surges of thick, densely textured impasto. Only after the initial...
Revealing a neglected and deliciously beautiful world from which we get only a handful of 72” x 60” snapshots—monochromatic yet stippled with smears, cracks and drips—Brenna Youngblood’s eight massive canvases, all mixed media, narrate a fall from grace. Titles...
This survey of Al Payne’s work goes back a half century and spans his entire career, establishing the late artist as an assured painter and colorist, no matter what his subject matter or his style: figurative or abstract, conceptual or retinal. That is, the survey...