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Curated by Laura Hoptman and on view at MoMA through April 5, “The Forever Now: Contemporary Painting in an Atemporal World” attempts to identify a distinctly current impulse to select and recombine styles, materials, iconography and other references from a broad...
I had never heard of Lancaster, let alone gone there, before I drove up the 405 and the 14 last November to see “Being Here and There” at the Museum of Art and History. It was “worth the trip,” as the Guide Michelin says of exceptional destinations. Almost all the 26...
“To articulate the past historically does not mean to recognize it the way it really was,” wrote Walter Benjamin. “It means to seize hold of a memory as it flashes up at a moment of danger.” Dexter Dalwood, a previous nominee for the Turner Prize, examines in this new...
The first ever retrospective of Pierre Huyghe’s work presents 50 works spanning 20 years which, like flicking through a scrapbook, provide a montage of Huyghe’s most prevalent themes, motifs and inspirations, drawn from the fields of literature, film, music, science...
To walk into the Jim Morphesis exhibition at the Pasadena Museum of California Art is to be flooded by rich, intense waves of color. The tsunami of red, blue, black and white is matched by roiling surges of thick, densely textured impasto. Only after the initial...