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Rebecca Campbell believes in paying it forward as her most recent exhibition entitled You Are Here at LA Louver so elegantly demonstrates. Each of these eighteen portraits represents an image of a woman artist whom Campbell knows and admires, but more importantly...
To find a curatorial through-line for the wildly varied career of Frank Stella must be an enormous challenge. Hanging opposite the elevators on the new Whitney’s fifth floor, as a kind of preamble to “Frank Stella: A Retrospective,” are Pratfall (1974), a precise...
Laurie Anderson fairly disappeared in the gaping vastness of the darkened Park Avenue Armory. Standing, violin in hand, next to a Lincoln Memorial–sized plaster sculpture of an armchair, she told the story of Mohammed el Gharani.El Gharani—or rather his shimmering...
Looking like contorted urns collapsing inward or twisting outward, the 16 new cup-sized works that comprise “The Weight of Color,” Kathy Butterly’s fifth show with Shoshana Wayne Gallery, demonstrate her strength as an innovator. Working within the confines of a long...
In his essay “The Ontology of the Photographic Image,” film theorist André Bazin observed that image-making was “no longer a question of survival after death, but of a larger concept, the creation of an ideal world in the likeness of the real, with its own temporal...