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I’ve got to be honest. I’m a sucker for images of bloodied fingers and dead birds. Kind of an acquired taste I suppose, so Jessicka Addams newest exhibition entitled “Please Stop Loving Me,” struck a cord of familiarity, stirring an odd reprisal of grief, and...
In his new project at Commonwealth & Council, “and Child,” Kang Seung Lee plunges deeper into his interest in rules and systems and branching investigation of the power structures of the art world with an analysis of the intersections of aesthetic and financial...
For his solo show at Reserve Ames, “Scalar-Daemon,” David Muenzer froze ingot molds filled with neon highlighter ink in an industrial freezer. He then stacked the frozen ingots on top of a platform placed in RA’s bucolic backyard shed. The platform has three recessed...
Bettina Hubby displays a raucous sense of humor in her second solo show aptly titled "The Sexual Bronze Show" at Klowden Mann. Mining a territory that expounds on the sexual pun, Hubby identifies objects from the grocery store that in some way compliment one another...
For her second exhibition with Von Lintel Gallery, Farrah Karapetian has produced a thoughtful new series comprising 12 large-scale Chromogenic photograms. The show’s title, “Relief,” is a direct reference to the perilous flight of the refugee at sea while other...