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From 1973 to 1985, Chris Killip lived among and photographed working-class and underclass communities in the north of England whose livelihoods depended on traditional heavy industry. His subjects include the declining coal mining and shipbuilding cities of Tyneside,...
Sant Khalsa isn’t reticent about her artistic influences. In artist statements, she points to the photographs of Walker Evans, Ed Ruscha, and the Bechers as impactful on her own practice of photographing landscapes of the Southwest, particularly those of Southern...
Every surface, each object of Aaron Fowler’s thirteen assemblage paintings in “Blessings On Blessings,” has been contemplated, touched and worked to build layers of meaning and matter that cohere and disrupt. Dimensionality—of ideas, materials, possible readings—is...
Christopher Richmond’s “Double Fantasy,” a pairing of his videos Panthalassa (2015) and Rendezvous (2016) in his solo debut at Moskowitz Bayse, like much video work, challenges the audience, understandably not wanting to be easy or mere “entertainment.” Brimming with...
Linda Arreola’s debut as an artist was as a sculptor and installation artist. She’s also an architect; and her show, “Architect of the Abstract,” a survey of work curated by William Moreno from 2005 to 2016, is very much the work of an architect who has crossed over...