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Marilyn Minter’s is an art of amplification. This befits a painter and sometime photographer who came of age in New York in the 1970s; her frames of reference are feminism, the AIDS epidemic, photorealism and the Pictures Generation, equally. Minter’s work of the last...
Vestiges of the past can be found all over the West; dead and dying towns are replete with inklings of historic spirit in the forms of half-buried artifacts, wild animals and deserted buildings. Entering Catherine Fairbanks’ exhibition,” Two Chimneys” evoked the...
Carmen Argote is a Los Angeles-based multimedia artist who works directly in response to particular locations. Last year, she created a site- specific installation at the MAK Center where she traced the interior and exterior footprint of the Schindler house using...
With an observer’s detachment in the face of dire predictions of humanity’s demise from the rapidly developing field of artificial intelligence (AI), in “The Earth is Flat,” James Georgopoulos lifts from a trove of pop culture imagery adapted from film and other...
Joseph Heidecker’s collection of embroidered photographs at Craig Krull Gallery is a celebration of textile fauvism. The altered vintage photographs elicit a dissonant response, with subjects’ faces veiled in thread in an almost painterly manner that is reminiscent of...