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Simone Leigh’s small but impactful show of new work at the Hammer Museum probes the construction of the black female subject within the historical context of the African diaspora. Her aesthetic influences are culled from traditional African and Caribbean visual art...
R. H. Quaytman’s Morning: Chapter 30 has an assertive, unrelenting horizontal presence, but it really represents a kind of constellation – coextensive with the larger universe of associations that populate Quaytman’s entire body of work. That constellation may be...
Paul Sietsema's works have an aesthetic and intellectual dimensionality and the path through his exhibition is an invitation to put together the pieces of a sophisticated puzzle that juxtaposes the digital and the handmade with a semi-nostalgic nod toward objects from...
Jud Fine and Barbara McCarren’s And/Or show at the University Art Museum, Cal State University Long Beach channels us toward Keats’ notion of negative capability, or a fertile surrender to paradox and uncertainty, by way of two colliding currents. One induces...
Jeffrey Vallance was already something of a legend when I first became acquainted with his work – an ‘interventionist’ style of conceptual art in which the performance became a kind of deconstructed cultural inquiry. My first impression came by way of captioned...