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Visual affinities extend throughout Sam Falls’ solo exhibition at Hannah Hoffman, suggesting relationships between natural phenomena and man-made objects, while also developing a thematic unity for Falls’ heterogeneous production. A pair of texturally rich photographs...
A descendent of samurai-era Bizen sword makers, Miya Ando was first introduced to metalworking as a child while living in a Japanese Buddhist Temple. In homage to her ancestral heritage, she has since looked to this medium (whose impermanent properties convey the...
Through her show, “Paper or Plastic?”, at the innovative Mixografia studio, Analia Saban breathes new life into plastic grocery bags while highlighting their vapidity as an aging commercial technology.In earlier bodies of work, Saban cast mundane objects in pure paint...
The black-and-white photographs of Carina Brandes, which capture her ritualistically enigmatic performances for a self-timed camera, suffer a paradoxical fate: they’re modestly powerful images grounded in a uniquely European sensibility, but ultimately leave little...
Standing erect on pedestals, Colette Robbins’ seven skeletal sculptures twist and bend like limbs, frown and gape like skulls, and yet they are clearly not figurative. Rather, the ethereal totems coax the mind to create fiction from their abstract...