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It is almost an existential question – of art, creation, medium – the ‘still point of the turning world … (w)here the dance is,’ to paraphrase Eliot’s “Burnt Norton.” Helen Frankenthaler was already well into her early maturity by 1962, which is where this 25 year...
A long banner of colorful flowers fills the second floor window of 1301PE. Seen from the outside, it functions as a precursor to the works inside the gallery. It is also serves as a memory trace; upon entering the second floor space one is thrown into a quandary—...
As our planet is gradually warmed and transformed into landscapes and environments once conceivable only in nightmare fantasy, we find ourselves preoccupied with our apprehension and perception of a world we’ve effectively made over – so bound up with our physical...
Brian Bress’ amalgam of drawings, paintings, masks, sculpture and videos, brought together for “Make Your Own Friends,” a survey of the last ten years of Bress’ output, elicits a range of feelings, from poignancy and surprise, to disconcertion and compassion. The...
There are some artists you know are great immediately because they provoke such disparate and conflicting emotions simultaneously that they practically throw you physically off balance. John Altoon is one such artist. The most feral of the Ferus Gallery Cool School,...