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If it feels as if it’s been years since you saw work by Beverly Pepper, it probably has. I don’t think she was even included in the Hauser, Wirth & Schimmel “Revolution In the Making” debut show. Not revolutionary enough? Or too far from the madding crowd? Pepper...
Lena Wolek's "Arbitraitor's Clauset" is clever in title and use of space. Arriving at her installation in the diminutive exhibition chamber misleadingly named "Egyptian Art & Antiques" feels like discovering a child's toy-room in a nondescript Beverly Hills office...
For those of us who grew up in America in the second half of the 20th century, especially the decades of the 1960s and 1970s, it would have been impossible to go through middle or high school without stumbling across certain staple school stationery supplies. One such...
The graffiti artist John Crash Matos, known simply as Crash, started spray-painting buildings and trains in New York City in his early teens. Before long, he transitioned to showing in galleries. Although he may not be as renowned as colleagues Shepard Fairey or Barry...
The curators of Ecstasy, Virginia Broersma, Nick Brown and Kio Griffith, characterize their show as an “exhibition and lab” (the latter aspect of which may be more prominent in a couple of the objects by Candice Lin included here); but its installation has the airy...