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In Orkideh Torabi’s caricatures of silly men, comedy and poignancy stealthily overcome the unsuspecting viewer. Midway through this exhibition, one is liable to titter aloud as the portraits’ repetitive simplicity resounds to a starkly touching yet hilarious effect....
Jill Mulleady’s new paintings offer an experience akin to tumbling down a rabbit hole into a mad and decadent party orchestrated by the Surrealists (is that a cheetah sitting at the counter? A policeman fighting a green coyote?) and attended by reveling sinners,...
Unexpected Portrait (2016) is a large-scale acrylic-on-canvas painting where a long tube-shaped orange line with dark edges glides across the work defining a cartoon-like head and shoulders. Two simple dots for eyes and a short line for a mouth are similarly...
If Lauren DiCioccio’s chosen materials of fabric, thread and found objects at first appear playful and lighthearted, a closer look reveals the disturbing little works assembled in “Comfort Objects” as apropos of the collective mood of wariness, of the persistent...
Paul Anthony Smith’s third solo exhibition at ZieherSmith represents an ultimately fruitful distillation, apparently in both the methods of his practice, and subsequently in the visual nature of the roughly dozen works that make it up. “Procession,” as Smith’s latest...