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Daniel Pitín's paintings allegorize the uneasy tension between our mortal individuality and the cold cardboard abyss of the computerized world. Most works in his current show depict inchoate figures merging into geometric multi-planar forms. These unclassifiable,...
It is for some of us (the more fortunate among us) the first fear or horror we know – our first encounter with something at first glimpse familiar that upon extended gaze or lingering examination reveals itself as utterly transmogrified, and suddenly, quite...
Cole Case is a man obsessed with: airplanes, the night sky, palm trees, runways, depopulated public spaces and his own private plethora of nostalgic memorabilia. Armed with these iconographic signifiers, Case, in his second solo exhibition with Chimento Contemporary,...
“We are children of our landscape [which] dictates behavior and even thought,” writes Lawrence Durrell. It goes without saying, therefore, that a baneful “landscape”—defined in the broadest terms—has devastating effects on the inhabitants. At the Huntsville Museum of...
The first and most physically imposing work in Thomas Houseago’s exhibition, “The Ridge,” on view at Gagosian Gallery, is Open Wall (Beautiful Wall) (2016). According to his Instagram, Houseago built this wall in response to the election of Donald Trump. This alone is...