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Not long ago, I recommended a show, entitled, Concrete Islands (plural), which, although it didn’t exactly shy from the allusion to J. G. Ballard’s dystopian novel of contemporary urban life, was more specifically inspired by Marcel Broodthaers and the concrete...
The exhibition equivalent of grandmother’s tablespoon of castor oil, It is obvious from the map is unpleasant to consume but leaves one feeling positively virtuous (if in the vein of sadder-but-wiser) for having endured it. Visually, it displays more virtue than...
You might call Liz Young a conceptual artist. One would certainly address some of her earlier work in such terms; and on a certain level, she still is – except that in her hands, the ‘concept’ is really a kind of generative nucleus of ideas, assuming form organically,...
Manuel Ocampo and Irene Iré accomplish the often-difficult task of formulating a joint show that appears cohesive without sacrificing the styles of either artist. Their different styles of abstract and figurative, colorful and subdued seem to be engaged in a...
As its title implies, Amino Acids reaches towards a place elemental and foundational, and implicitly existential – the conditions and pre-conditions of life (or even before life), the processes that generate it; and the conditions of life’s mouldering remains – what...