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The origins of Color Field—one of the more intriguing forms of contemporary abstract painting—seem to lie in 19th-century Romanticism, particularly in a few radically reductive watercolors by J.M.W. Turner. In 2015, when some of these were exhibited at the Getty...
Emblazoned in cursive neon light, the affirming phrase “we deserve to see ourselves elevated, as well as grounded” guides EJ Hill’s installation of objects and paintings, which structurally suggests both sublime ascension and children’s playgrounds. The locations of...
Arne Quinze’s jubilantly comely show, “Jungle Cities,” propounds fundamental questions about the problematic relationship between culture and nature. These questions align with the artist’s generally stated ambitions; however, the most urgent of them are posed...
Given the current political climate, one in which President Donald Trump in February withdrew Federal guidelines allowing transgender students to use restrooms matching their chosen gender, “Masculine-Feminine” offers a timely and relevant examination of gender...
Wake Me Up When It’s Over is a compelling and timely installation featuring selected works from 1998–2016 by the London-based duo Thomson & Craighead. Jon Thomson and Allison Craighead, who have been working together since the mid 1990s, utilize data, information...