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In timeless spirit and simple form, Julia Haft-Candell's ceramic sculptures recall the mystical austerity of primeval petroglyphs, carved totems and cave paintings. Yet their painted embellishments and surface textures are unmistakably modern, evoking graphic novel...
Abstract but character-driven, tertiary and bright, super flat and deeply funny, the paintings and sculptural installations in Andy Kolar’s “Easy now.” speak to conceptual and material concerns in a uniquely satisfying, engaging dialect of modern color theory. The...
I walked into the Resnick Pavilion and into the swirling world of color and fantasy that Marc Chagall created for the theatre and remembered again what made me want to live. Much of the work exhibited in this show was actually made in New York. But it’s...
Alluding to the postmodern architecture of her Polish homeland, Monika Sosnowska’s first solo show at Hauser & Wirth Los Angeles is comprised of six structural installations, which despite their rigid physicality and mass, are warped with drama, yet seem...
As noted in an Artillery Pick quite recently, portraiture is the oldest form of ‘identity art’, and moreover, representation itself. It is ‘naming’ in the largest sense – placing, identifying, classifying, narrating, and implicitly conceptualizing, though without...