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There are a number of emotional responses to walking through a graveyard: firstly, satisfaction that one is walking at all and not an insensate resident; another, for those seduced by death and rejected by the quick, is the camaraderie of obliging, complementary...
Culled from five different series of Naida Osline’s photographic work since 2007, “Florescence” examines an arc of her practice that is focused on taxonomies of flora and fauna. The exhibition title, drawn from her photographic series of the same name, can be taken to...
Roughly four years ago, Paul McCarthy opened the sprawling installation “WS” at the Park Avenue Armory in New York, platforming (and rupturing) the domestic fantasy at the center of Disney’s Snow White fairy tale while playing out a vivisection of its narrative on...
Generally, rubbish is quickly dispatched and secreted from public consciousness—or at least ignored. Constance Mallinson, however, revels in discards’ improbable pulchritude while questioning society’s prodigious dispersion of throwaway images, ideas and sundries. In...
Peter Alexander’s true subject has always been light—both in his earlier, luminescent cast-resin sculptures, which he abandoned for several decades for health reasons, and in these captivating LAX series paintings from the 1990s. In the first half of the galleries...