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Mattea Perrotta abstracts figures and Jonathan Ryan abstracts architecture; their juxtaposition at The Landing educes the two painters' similar manners of distilling contemplative moods from their divergent subjects. Ryan's buildings frequently assume anthropomorphic...
While uneven in impact, Columbian-born, British-educated Daniel Silva’s exhibition, “WE ARE EXPERIENCING SOME TURBULENCE – PLEASE STOW AWAY YOUR ELECTRONIC DEVICES LHR | HND | BOG | LAX,” remains impressive for the evocative three-dimensional works that the artist has...
There is irony in donning a mass-produced item that ostensibly projects one's individuality via a saucy slogan coined by somebody else. Pippa Garner uses her art like a knife to cut straight to the revelatory heart of such prosaic absurdities. Under her satiric lens,...
Somewhere between the complex compositions of Cubism and Francis Bacon’s distorted imagery lies Nathaniel Mary Quinn’s distinct approach to portraiture. On view at M+B gallery, Quinn’s newest series looks to music as narrator. Aptly titled “Soundtrack,” the exhibition...
Alexandra Carter's current show, "All gods are hot," is a maze of artworks so tightly packed that one can hardly turn around without colliding with translucent paintings adorning the walls and hanging from the ceiling at Radiant Space. Even so, cramped quarters seem...