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There’s a fabulous tabula-rasa quality present in “The Shape of Cloth.” Leveraging her experience as a masterful furniture designer, Irish-expat Mary Little presents eight existing unbleached canvas sculptures and a single site-specific piece for her exhibition at...
The intimate scale of John O’Reilly’s photomontages belies the broadly ranging ambition and scope of his concerns. The 40-year survey of his work at Zevitas Marcus reveals a consistency of approach spanning the entirety of O’Reilly’s production. The artist, whose work...
Windows often appear in art, sometimes as framing devices, sometimes as apertures to other worlds. In her new photographic series “The In Between,” Alexandra Hedison has come upon a way to do both, using ready-made vignettes. While exploring the streets of Paris, a...
“Dark Landscapes for a White House,” Deborah Oropallo’s solo exhibition at Catharine Clark, presents a moody, dysfunctional picture of contemporary society in nine large-scale works in photomontage, pigment print, and paint on paper, complemented by a quartet of...
Two short films in “Solar Rhythms” at Tanya Bonakdar open Tomás Saraceno‘s proposal for thermodynamic collaboration and remaking human relationships to the Earth. The first, taken during Saraceno’s ambitious, record-setting flight in White Sands, New Mexico with his...