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It is always a thrill to see the Annual City of LA (COLA) exhibition at the Los Angeles Municipal Art Gallery (LAMAG). The exhibition is a celebration of a year-long unrestricted fellowship awarded by the Los Angeles Department of Cultural Affairs to a small group of...
The aesthetics and content of we still here, there (2018), Lauren Halsey’s current installation at the Museum of Contemporary Art, Los Angeles, are deeply rooted in Afrofuturism—a cultural philosophy that merges magical realism, science fiction and technoculture to...
Eileen Cowin’s work has been loosely categorized as mise-en-scène photography. But overall it is far more self-reflexive, deeply deconstructed and concerned with the relations of language to the apprehension and (re-)construction of reality. More recent work has...
A vague yet piercing look of confrontational horror animates the face of a woman, zaftig and underdressed, with piercing blue eyes, an exaggerated frown, and the upswept hair and ruddy complexion of a latter-day Vermeer milkmaid. Because of art history, and especially...
What does it mean for the life of an artwork when it can be experienced in dramatically different contexts, as a constellation rather than a point on a map? What happens when the legibility of a work is radically challenged by a shift in viewing conditions; do those...