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Although it was once relatively straightforward, the relationship between what we refer to as “Nature” and its inverted mirror-image “Culture” has become complicated and problematic. Indeed, the “default position” in the argument as to their reciprocal relationship is...
It is always a thrill to see the Annual City of LA (COLA) exhibition at the Los Angeles Municipal Art Gallery (LAMAG). The exhibition is a celebration of a year-long unrestricted fellowship awarded by the Los Angeles Department of Cultural Affairs to a small group of...
The aesthetics and content of we still here, there (2018), Lauren Halsey’s current installation at the Museum of Contemporary Art, Los Angeles, are deeply rooted in Afrofuturism—a cultural philosophy that merges magical realism, science fiction and technoculture to...
Eileen Cowin’s work has been loosely categorized as mise-en-scène photography. But overall it is far more self-reflexive, deeply deconstructed and concerned with the relations of language to the apprehension and (re-)construction of reality. More recent work has...
A vague yet piercing look of confrontational horror animates the face of a woman, zaftig and underdressed, with piercing blue eyes, an exaggerated frown, and the upswept hair and ruddy complexion of a latter-day Vermeer milkmaid. Because of art history, and especially...