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With relations between Russia and Western liberal democracies strained to the point of rupture, the rise of nationalistic fervor and anti-democratic forces on all sides, and notions of dissent and finding a viable way forward taking on greater urgency with each...
Gertrude Stein wrote in English, but in a way, Eve Fowler is acting as her translator. For the last decade at least, Fowler has been orienting her work across collage, photography, video and text-based practices in response to Stein’s oeuvre. The beguiling aluminum...
The Wilshire district gallery of Sprüth Magers is physically separated from a certain Southard’s Carwash in Galesburg, Illinois, by 1,969 miles. It is in this Los Angeles gallery directly across the street from the LACMA campus where the latest iteration of Stephen...
In the mixed-media works of his exhibition “Neo-American Transcendental,” Michael Maxwell employs materials ranging from the prehistoric to the digital. Clay, natural mineral pigments, plant dyes, wheat paste, quartz crystal, silver and gold leaf, beeswax, encaustic,...
Jay DeFeo (1929-1989) is popularly epitomized by her monumental masterwork The Rose (1958-66), whose counterpart, The Jewel (1959), is on permanent display at LACMA. It's rather misleading, for her diverse oeuvre encompasses far more than just those heftily textured...