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Lush foliage abuts geometric abstraction in Carolyn Castaño's vibrant paintings bursting with tropical flair. The Colombian-American artist amalgamates motifs from Latin America and the U.S so harmoniously that it's often difficult to pinpoint the origin of any given...
The dotty surfaces of Gerald Davis' paintings seem to flicker like tangled strings of tiny lights, amplifying the visionary eeriness of his eccentric renditions of classical subjects such as bathers. The LA painter's expressionistic pointillism recalls a wide range of...
Upon exiting the newest exhibition at the Norton Simon Museum, “By Day and By Night: Paris in the Belle Époque,” each visitor is invited to take a print of Henri de Toulouse-Lautrec’s Red-Headed Woman in the Garden of M. Foret. This print is especially fitting as a...
In the haunting group show The Nothing That Is, now at the Brand Library and Art Center, curators Yaron Dotan and Christine Rasmussen have shaped a powerful exhibition that takes as its inspiration a Wallace Stevens poem that suggests viewers behold “nothing that is...
At a distance, the paintings in Linda Besemer's show, "An Abundance of Errors," appear to be large-format prints of digitally derived geometric designs. Indeed, they were initially devised on a computer; but the paintings' true tactility manifests itself as you...