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With 21 new photographs in her second solo show at Angles Gallery, Augusta Wood resumes where she left off in her 2010 body of work, “I have only what I remember,” by delving deeply into personal history. Wood constructs her photographs from multiple images selected...
The Los Angeles Museum of Art is a DIY structure approximately 100 square-feet situated in the corner of a paved yard in Eagle Rock. Founded and run by the artist Alice Könitz, LAMOA continues in the long line of LA-based artist-run spaces that crop up regularly but...
Death becomes her, there really is no better way to describe Andra Ursuta’s first solo show in the US. Ursuta’s work has been dark, conceptual, sexually-charged and fueled by a death obsession; now fear is the impetus for creating a fictional graveyard in the Hammer...
While painters are often primarily concerned with light effects and the visual, Berkeley-based Judith Belzer’s work also resonates with a haptic sense. Her imagery is felt in the body, in the hands and feet. Recently awarded a Guggenheim Fellowship, Belzer explores...
“Rainbow Girls” at Cheim & Read continues Ghada Amer’s inventive strategy of using thread as paint, and needle as paintbrush, but with a marked difference. Bold embroidered stenciled text covers her canvas. Women’s rights and Amer’s stance are as forthright as her...
The overt theme of “Damage Control: Art and Destruction since 1950,” curated by Terry Brougher and Russell Ferguson, is the presence of destructive force(s) in art since World War II—a trajectory of investigation whose origins in the war (especially its nuclear finale...
John MillsJohn Mills’ recent exhibition at Rosamund Felsen Gallery is compositionally complex and visually challenging. As the title suggests, High On Signs represents the artist’s love affair with line and shape and more importantly perhaps, the iconographic...
John TottenhamJohn Tottenham, who regularly graces Artillery’s pages with his near orgasmic wit and verbal subterfuge, is a fantastic artist, though in typical self-deprecating style, he might in fact tell you otherwise. “The Indifferent Sublime” is, well, truly...
Koi No Yokan IIImagine meeting someone, and knowing that you will one day fall madly in love with that person, and you have mastered the Japanese concept of Koi No Yokan. Love is not immediately activated, as in the American sense of “love at first sight,” but becomes...
“The Abandonment of Art, 1948–1988” at MoMA showcases more than 300 pieces by the groundbreaking Brazilian artist Lygia Clark whose ultimate emphasis was on the sensorial experience of art. Altering the viewer’s perception and experience of her objects permeates...