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The overt theme of “Damage Control: Art and Destruction since 1950,” curated by Terry Brougher and Russell Ferguson, is the presence of destructive force(s) in art since World War II—a trajectory of investigation whose origins in the war (especially its nuclear finale...
John MillsJohn Mills’ recent exhibition at Rosamund Felsen Gallery is compositionally complex and visually challenging. As the title suggests, High On Signs represents the artist’s love affair with line and shape and more importantly perhaps, the iconographic...
John TottenhamJohn Tottenham, who regularly graces Artillery’s pages with his near orgasmic wit and verbal subterfuge, is a fantastic artist, though in typical self-deprecating style, he might in fact tell you otherwise. “The Indifferent Sublime” is, well, truly...
Koi No Yokan IIImagine meeting someone, and knowing that you will one day fall madly in love with that person, and you have mastered the Japanese concept of Koi No Yokan. Love is not immediately activated, as in the American sense of “love at first sight,” but becomes...
“The Abandonment of Art, 1948–1988” at MoMA showcases more than 300 pieces by the groundbreaking Brazilian artist Lygia Clark whose ultimate emphasis was on the sensorial experience of art. Altering the viewer’s perception and experience of her objects permeates...
Celebrity can be problematic. In fact, celebrity is one of the most poisonous influences on individual and collective human psychology at work in contemporary society, undermining the concept of individual creative autonomy as it unilaterally erases millennia-old...
Luke ButlerI can see Luke Butler hanging out with Montgomery Clift and Liz Taylor, sipping daiquiris by the lake-house with not a care in the world, but then all great movies must come to “an end.” Butler specializes in these two powerfully evocative little words...
Materially Defined All art has corporeal form, and must be “made” of something, and in the case of “Materially Defined,” at CMay Gallery, the literal materials themselves dictate the greater metaphorical meaning of the individual works in the exhibition. Macha...
Rachel Kastor: Ambitious ImplementsRachel Kaster creates startlingly effective visual conversations between seemingly disparate objects including glass, found wood and bronze. Many of Kastor’s visual relationships depend on tangible visceral associations; glass is so...
I am so glad I made sure to see the just-visiting Jackson Pollock painting at the Getty before it leaves this weekend—I did procrastinate a little. The painting, Mural (1943) has been at the Getty for an extended facelift. It’s now beautifully restored and has been on...