Articles
ARTIST TAKEOVER
FAIR AND SQUARE Post-Fair Brings Equitability to Santa Monica
Last week, during Los Angeles Art Week, I saw James Franco everywhere. I saw James Franco at Felix at the Hollywood Roosevelt, where the David Hockney-painted pool was closed because a man had had a heart attack inside it the day before. I saw James Franco at the Karma party at Ghengis Cohen, his trucker hat popping up behind a psychic and very beautiful astrologer. I saw James Franco at...
LESS THAN ZERO On Risk and Art in Los Angeles
I’m at a bar in Palmdale and it’s nearly empty. From where I am sitting, I can see two men playing chess. Or, rather, they’re not really playing—they’re afraid to make a move. It’s Pawn to E4, followed by the all-too-familiar analysis paralysis: finger steadies the piece, eyes tighten, neck cranes and turtles to check for danger, and then…Pawn back to E2. Let’s start again. Every move...
FASHION AT FRIEZE
COLLISION ENSURES REACTION Getty PST: Art and Science Collide
This past fall, I saw over twenty PST ART exhibitions offering contrasting visions of how “art’ and “science” might collide or collaborate. The shows addressed topics from surveillance to biotech to space exploration with dives into artificial intelligence, Indigenous textile-based technologies of the early modern era, and reflections on the environmental precarity of Los Angeles. There were as...
Reviews
Ryan Preciado at Palm Springs Art Museum
Palm Springs’ annual Modernism Week dominates the city in February, but I caught this quiet, elegant exhibit at the museum’s satellite space. It’s a revelatory history and homage to Frank Lloyd Wright craftsman Manuel Sandoval, a twentieth-century Nicaraguan American...
KELLY AKASHI at Lisson Gallery
Time is a common theme in Kelly Akashi’s work. Doilies inherited from her grandmother represent the past. The artist’s hands, cast in bronze, serve as timestamps for the present— lines and wrinkles marking specific moments. Cast bronze seed pods represent the...
Ramekon O’Arwisters at Craft Contemporary
Textile art has not always been one of my favorite mediums, but Ramekon O’Arwisters' exhibit altered my thinking. At a time where being Black and Queer, and any semblance of DEI seems fraught - the artist has come out swinging. The thoughtfully curated show is...
Ed Gomez at the MXCL BNL LAB
The long-running MexiCali Biennial got a recent boost from Mellon Foundation and is currently making its mark in the eastern LA suburb of Whittier. The space, which also houses an archive, MXCL BNL LAB545, is located in an unpretentious storefront, betraying an...
DUELLING REVIEWS: Doug Aitken at Regen Projects and the Marciano Art Foundation
