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Kim Schoenstadt’s approach to visual art conflates two and three dimensions, crawling up the wall and on the floor, gelling into freestanding objects even as it elaborates on a kind of drawing-in-space that seems at once to leak from and to enmesh the sculptural, even...
“69,”Aaron Wrinkle’s exhibition of drawing, painting and related constructions must be considered in the context of what Night Gallery calls “the mausoleum” that frames it. Initially one might think of it as a pavilion, albeit of a hand-hewn urban rusticity that bears...
Two Bay Area artists, the sculptor/painter/collagist Bella Feldman and the draftsman (for lack of a better term) Ron Weil, show that intelligence, passion and craftsmanship are as timely as ever.Feldman, whose 50-year retrospective at Richmond Art Center in 2013 was...
Janet Biggs will go a long way to find herself. Her four-channel video unfolds only a continent away, but do not be fooled: with Can’t Find My Way Home (all works 2015), the real journey has still to begin.Her principal actor, dressed in a bright orange hazards suit,...
Jimi Gleason’s newest body of work on view at William Turner Gallery almost seem like painterly mirrors reflecting the artist’s continued investigation into materiality and form. These large-scale paintings are brightly colored and luminously reflective, giving them...
Charting a path through Evan Holloway's large floor-based sculptures at David Kordansky Gallery is like walking through a forest that has undergone a transformation into ever-lasting materials that are the antithesis of nature —bronze, steel, resin, plaster and...
In his latest exhibition at Luis De Jesus, Josh Reames has collaborated with long-time friend José Lerma, in situ, to produce two large-scale triptych paintings and sculpture.In the front gallery, two ambitious paintings extending the length of each wall, nearly floor...
I’ve got to be honest. I’m a sucker for images of bloodied fingers and dead birds. Kind of an acquired taste I suppose, so Jessicka Addams newest exhibition entitled “Please Stop Loving Me,” struck a cord of familiarity, stirring an odd reprisal of grief, and...
In his new project at Commonwealth & Council, “and Child,” Kang Seung Lee plunges deeper into his interest in rules and systems and branching investigation of the power structures of the art world with an analysis of the intersections of aesthetic and financial...
For his solo show at Reserve Ames, “Scalar-Daemon,” David Muenzer froze ingot molds filled with neon highlighter ink in an industrial freezer. He then stacked the frozen ingots on top of a platform placed in RA’s bucolic backyard shed. The platform has three recessed...