As I meandered through Marisol Rendón’s installation, “So, Dragons Do Exist?” at Luis De Jesus Los Angeles gallery last summer (this was before I had even glanced at the contrarian, almost self-negating parenthetical subtitle, “Considerations of the Unavoidable Syndrome of Illusion”), I felt as if I were confronting the Kübler-Ross stages of grief acted out by Komodo dragons (all five of them,...
So like a few of you (not many more—which was wise—you really didn’t miss anything), I went down to the Grand Central Market at 3rd and Broadway downtown to hear Dave Hickey plug his latest, Pirates and Farmers, subtitled “Essays on Taste,” under MOCA’s auspices—which I confess struck me as suspect from the get-go. But MOCA’s communications people are pretty broad-minded, so I have to give them...
Well the axe has fallen once again on the magnificent American Folk Art building, designed by Tod Williams and Billie Tsien Architects. The structure is considered to be an architectural gem having won numerous awards including an American Institute of Architects National Honor Award (in 2003); the World Architecture Awards for Best Building in the World, Best Public/Cultural Building in the...
James Welling’s “Flowers” (2004–11) suggest backlit tree branches in bloom against a blank sky. A pure white light appears to pass through these elegant arrangements of shadowy stem, leaf and petal shapes, and in the process is refracted, as if by a prism, into otherworldly hues. These are photograms, camera-less images made by placing objects onto photosensitized material then exposing to...
Micol Hebron is an interdisciplinary artist based in Los Angeles. Through photographic works, videos, installations, performance and writing, she has become known for critically engaging the tropes of art history and modernism, with a particular eye toward resurfacing and re-examining feminist activism. Recently, she launched a collaborative poster project called “(en)Gendered (in)Equity,” in...
While the intersection of art and technology may be new for some, artist Rachel Rossin has been a pioneer in the field for nearly her whole life, having taught herself programming at a young age. Her practice includes painting, sculpture and digital art, as well as...
Frieze New York is back for the first major in-person art fair since the pandemic—and it felt shockingly and refreshingly normal. In a time when the success or failure of an event is often based on how COVID-safe it felt, Frieze did a remarkable job at emphasizing...
Almost exactly 10 years ago, one of my favorite (and certainly most improbable) curatorial projects was unleashed upon the world: Renee Fox, who was overseeing the development of the Beacon Arts Building in Inglewood (at least its cultural aspect) invited me to do...
How we balance our individual experiences within the larger scope of our lives in many ways determines who we are, and how we understand and relate to the world around us. Reflecting on the dense and often traumatic events of the past year, which included a global...
Upon entering Stephen Neidich’s solo show, “five more minutes please,” everything is stock still, until the clattering begins. It immediately becomes clear that one’s movements cause the Venetian blinds—hanging from the ceiling or against the gallery walls—to raise or...