No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In "Allusive Moment," a group show centered on nostalgia, a slow creaking sound fills the gallery and precedes—even preempts—visual encounters with works in the show. The creaking sounds like it might come from the wood beams or floorboards of a childhood home, except...
Joakim Ojanen's playfully enigmatic ceramic sculptures are strangely endearing. Throughout the exhibition, the artist has set up a series of intimate vignettes using small-scale ceramic figures of people with bald heads and duckbill faces engaged in the various and...
The air in Ecaterina Vrana's exhibition partakes heavily of oil odors. Like many other contemporary painters, she applies copious quantities of paint in various ways, slathering it like Spackle, squeezing it out in toothpaste-like ropes, engraving it, and stippling it...
There is a feud taking place at CB1 Gallery; it sets in conflict the looking-glass and the hour-glass—our waning but resistant vigor versus our inexorable putrefaction. In her exhibition, revealingly titled in lower case the self-portrait sessions, Susan Silas...
Cindy Sherman's stunning retrospective at The Broad constitutes a compendium of fiercely iconic imagery that has, for decades, influenced our cultural vision of how women are represented in the media. The exhibition spans 20 years and represents the largest holding...
Street photography is one of the great genres of modernist photography, peaking at mid-century with the work of Robert Frank, Gary Winogrand, Helen Levitt and others who used the camera to capture the strange little extemporaneous moments one experiences walking city...
Agnes Martin, the great Abstract Expressionist painter (1912–2004), believed in cosmic connection. She labored over her famous grid paintings almost her entire professional life, except for a difficult break from 1968 until the early 1970s, and in them she strove to...
The international group of artists in “Beyond 2°” question the multidimensional impact of natural resource exploitation, in distinct cases, in different global locations, and in damning portraits of corporate gain at the cost of human rights and the environment. The...
Marilyn Minter’s is an art of amplification. This befits a painter and sometime photographer who came of age in New York in the 1970s; her frames of reference are feminism, the AIDS epidemic, photorealism and the Pictures Generation, equally. Minter’s work of the last...
Vestiges of the past can be found all over the West; dead and dying towns are replete with inklings of historic spirit in the forms of half-buried artifacts, wild animals and deserted buildings. Entering Catherine Fairbanks’ exhibition,” Two Chimneys” evoked the...