We asked 12 artists to show us their shoes...
We asked 12 artists to show us their shoes...
The first thing that catches my eye upon walking into the Von Lintel Gallery for an exhibition of photographs from Chloe Sherman’s renowned 1990s series “Renegades” is a large black-and-white print (17.3 × 24 in.) of a half-dozen young women, perhaps in their early twenties, lined up at the counter of a coffee bar, butch-femme-styled in casually improvised variations inspired by everything from...
Summer is museum season. I’m writing this in early August, a month during which the Angeleno art viewer’s options are fairly clear: Sweat it out on Melrose in pursuit of every lackluster group show; escape to the beach, like the dealers who phoned in those group shows from the shores of the Adriatic (I prefer the South Bay); or spend the day at MOCA, where admission is free and the air is a...
Remember I had a plan to discuss overused and oversimplified terms in a way that anyone can understand? In an accessible, user-friendly but without being patronizing manner. Well fuck that. I quote NWA: “Fuck crossing over to them; let them cross over to us.” And to that end, I beseech you to remember how powerful words can be. How much we can achieve with a well-placed comma, and how many...
The news of BLUM’s abrupt closure after 30 years in Los Angeles reframed the landmark gallery’s final exhibition, Wilhelm Sasnal’s “AAAsphalt,” into an inadvertent elegy for contemporary art in Los Angeles. Entering the massive complex on an early July afternoon, I...
The night I saw Kaoru Ueda’s self-titled show at Nonaka-Hill, I found myself later at a friend’s house watching YouTube videos of marine life. The viewing experience of the vibrating patterned creatures felt nearly identical to Ueda’s obsessively precise paintings of...
To read a novel is to play detective. The detective novel leverages this symmetry: the reader identifies with Sherlock Holmes’s or Philip Marlowe’s driving curiosity. Our favorite sleuths want to get to the heart of the crime; we want to get to the end of the story....
The seminal Jeffrey Deitch exhibition “Post Human” (presented in 1992 and reimagined in 2024) explored evolving concepts of identity in the digital era. “The Abstract Future” feels in some ways like its spiritual sequel. Brilliantly curated by Alia Dahl, the gallery’s...
In the shadow of social media, describing a nude portrait of a woman as “authentic” or “not performative” is often a subliminal way of acknowledging that the image has been composed according to an “alternative” set of stylistic constraints: soft, flattering lighting;...