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In her last show with Rosenstein, Gisela Colon presented her first large free-standing object, a Parabolic Monolith that curved gracefully towards the gallery’s high ceiling and loomed over visitors. For Colon this was a notable translation of her light-and-space...
To striking effect, Finish Fetish painting binds erotic fetish photography in Alex Couwenberg and Steve Diet Goedde's exhibition at Coagula Curatorial. Titled simply "Collaboration," this show tenders surprisingly fecund explorations into how brightly hued abstract...
Curated by artist and photographer Arden Surdam, “Belt Friction,” the current group exhibition at Kopeikin Gallery, explores themes about the complexities of touch and categorizations of human contact. Belying the precision and stakes of the obscure engineering...
A must-see for abstract painting devotees, Xylor Jane's show at Parrasch Heijnen is aptly titled "Magic Square for Earthlings." Adhering to logic so bizarre as to have issued from outer space, her enchanting pictures do indeed appear to possess kinetic thaumaturgy as...
A simple reconfiguring of space at Wilding Cran has yielded a tiny, jewelbox of a gallery for small yet impactful exhibitions. Black Over White by Brazilian artist Maria Lynch is part of Pacific Standard Time LA/LA, the vast project supported by the Getty Foundation...
Jen DeNike and Katherine Bradford have converted Anat Ebgi's small secondary space, AE2, into a mysterious bipartite chamber dominated by the theme of people at sea. Superficially, these two divergent artists' collaboration seems surprising. Yet their palettes...
Some of us respect what makes people different from one another. By withholding judgment of others, we avoid enveloping them in our own contexts, selfishly assuming their futurities. Yet psychologist Marie-Louise Von Franz asserts, “Wherever known reality stops, where...
Via her expressionistic brush, Judith Linhares teases latent absurdity and uncanniness from hackneyed pictorial genres. Female nudes, sublime landscapes, exotic animals and floral still lifes are jumbled and transposed into worlds of outré wildness. The Pasadena-born,...
Georganne Deen did not become disillusioned by recent geopolitical events—she’s been feeling that way for a long time. It’s just that her newest paintings reflect certain newly topical aspects within the widening gyre of social entropy, expressing in both style and...
The late Mike Kelley's "Kandors 1999-2011" at Hauser & Wirth is literally and figuratively tenebrous. Deviating from Kelley's typical folksiness, this show exudes a clinical coolness. "Kandors" was his final major series. It centers on the fictional metropolis...