I’m not sure I completely understand Oshay Green’s obliquely-named sculptures made of deconstructed leather couches, or how they relate to a series of embossed wooden slabs and a haunting wall work that imposes itself over the gallery like a giant spider. A legible press release might have helped me decipher how sculptures like Y- -M2-3 (2024), a sphinxlike sofa frame draped in suede and mesh upholstery fabrics connect with works like SMDMM (2024), a sheet of wood laser cut with a text version of the RIFF file of audio recording “Scared money don’t make money.” But perhaps I don’t need to totally understand, and it is enough to simply appreciate how Green’s works carry forward Mike Kelley’s abject-domestic vibes while offering something completely fresh.