The Horror of Time A Short Story
In 2012, Daniel Zalewski profiled Christian Marclay and The Clock (2010) in The New Yorker. The piece includes a single, throwaway reference to an assistant: “One fellow, who offered little but gunshots and ‘guys getting their heads chopped off,’ was fired.” Over the next month, The Clock returns to LACMA. –TC
DUELING REVIEWS: DAVID GEFFEN GALLERIES Two takes on the David Geffen Galleries at LACMA
Following what felt like an eternity of delays—budget-related, structural and otherwise—LACMA opened its new Peter Zumthor-designed David Geffen Galleries this spring, finally unveiling its long-awaited proposal to reinvent the encyclopedic museum.
How Disrupted Can an Art Fair Actually Get?
Days before the opening of the 61st International Art Exhibition of the Venice Biennale began, there were news reports of protests and disruption due to the Biennale’s inclusion of pavilions from Russia and Israel, two countries that are each involved in highly unpopular wars.
The Horror of Time A Short Story
In 2012, Daniel Zalewski profiled Christian Marclay and The Clock (2010) in The New Yorker. The piece includes a single, throwaway reference to an assistant: “One fellow, who offered little but gunshots and ‘guys getting their heads chopped off,’ was fired.” Over the next month, The Clock returns to LACMA. –TC
DUELING REVIEWS: DAVID GEFFEN GALLERIES Two takes on the David Geffen Galleries at LACMA
Following what felt like an eternity of delays—budget-related, structural and otherwise—LACMA opened its new Peter Zumthor-designed David Geffen Galleries this spring, finally unveiling its long-awaited proposal to reinvent the encyclopedic museum.
How Disrupted Can an Art Fair Actually Get?
Days before the opening of the 61st International Art Exhibition of the Venice Biennale began, there were news reports of protests and disruption due to the Biennale’s inclusion of pavilions from Russia and Israel, two countries that are each involved in highly unpopular wars.