“Quarantined Visions” continues with a selection of work from artists locked down in Italy. The first installment of this series exposed artwork from China, the country that suffered through the original outbreak and quarantine brought on by COVID-19. Part Duo takes...
Quarantined Visions: Part Two (Italy)
SHELTER-IN-PLACE: ‘Who Am I?’ Bruce Baillie and Experimental Lyricism
As part of a teaching proposal to the Autonomous University of Guadalajara in Mexico in July 1995, filmmaker Bruce Baillie makes clear what he believes to be the foundation for any kind useful communication, art, film or otherwise: “I want to present in my teaching,...
SHELTER-IN-PLACE: Remarks on Shit Brown
Why does brown always get the short end of the stick? If it’s yellow, let it mellow. If it’s brown, flush it down. It’s not fair – earthy, practical, pragmatic brown is so much more than the leavings of a last meal. Brown is the color of the earth, your Sunday school...
Quarantine Q&A: Eva Chimento of Chimento Contemporary
Are you still changing exhibitions as you would if open and are the exhibitions virtual-only now? How’s that going? I have extended all exhibitions through June 30, 2020, and will do a group exhibition in July. I have been sending previews selectively. Are you...
QUARANTINE Q&A: George Davis, Executive Director, CAAM
How has exhibition scheduling been changed and how are you adapting? Are your exhibitions virtual-only now? COVID-19 became a serious concern in California just as we were changing out our exhibitions for the spring season. One of CAAM’s new exhibitions, "Sula...
Quarantine Q&A: Terrell Tilford of Band of Vices
Are you still changing exhibitions as you would if open and are the exhibitions virtual-only now? How’s that going? Band of Vices leads first and foremost for our artists and their well-being. We recognize and respect the response to the COVID-19 pandemic and have...
Quarantined Visions: Part One (China)
Organized by Lawrence Gipe, “Quarantined Visions” is an online exhibition of work created during the COVID-19 pandemic lockdowns. Beginning with images from China, this series will continue from country to country in collaboration with international curators,...
SHELTER-IN-PLACE: Carolyn Campbell Explores the City of Immortals
Both cemetery and museum, the often-explored Père-Lachaise cemetery in Paris is a stunning open-air space filled with dazzling sculpture as well as architecture. At over 107-acres, it is can also be exceedingly difficult to navigate, this burial ground of highly...
Quarantine Q&A: Andi Campognone of MOAH
Is your museum still open and operating with certain staff members coming in to work? We are closed to the public but we are definitely still working. We understand losing income is real so we gave our staff new assignments and tasks so they would still receive a...
COVID-19 Mask Contest
Inspired by @yrurari's mask we saw on Instagram, we called LA artists to submit their own mask creations. Submissions were either designed as a workable COVID-19 mask for daily use or as a creative endeavor at home while another face covering was used for safety...
Women in Repose: Hayley Barker
We are in a time of global pause. A moment where everyone for the most part, is by mandate, confined to their interiors, forced into slower, humble domesticity; those with children are responsible for lessons, many are taking up culinary endeavors, and for the...
SHOPTALK
Pomp & Zoom Spring usually heralds a spate of art-school grad ceremonies and shows—the equivalent of debutante balls for young artists and designers trained at our august art schools. This year with shelter-at-home and social-distancing mandates in place, there...
ART BRIEF
The saga of British art dealer Inigo Philbrick is testimony to the pitfalls of the trust and handshake deals that have become customary at the highest levels of the art world. The fall of Philbrick—a protégé of Jay Jopling, the principal of London’s most prestigious...
DECODER
You could draw people in masks. Paint them. Paint on them. Make videos where the face above changes but the mask does not, challenging the viewer to notice and read the eyes, the hairline. You could fashion new masks or sculpt respirators. And the gloves, too:...
ASK BABS
Dear Babs, As an artist practicing social distancing I’ve begun feeling guilty for not doing more with all this new free time. I look on social media and everyone is being so productive, making art, and learning new skills. I’m not making art or much of anything....
BUNKER VISION
If you weren’t around for the 1970s, it’s a hard era to explain. And thanks to AIDS, there are fewer people left alive to explain the queer experience of that decade. Happily, there are movies. The reason that these movies exist is almost accidental. Budding auteurs,...
UNDER THE RADAR
Quarantine isn’t much different from my old normal. In case you hadn’t noticed, this column is 99% reviews of things that I receive through the mail or via the web - anything that doesn’t require me to leave home and interact with my fellow art world and academic...
ROCK STARS
Prior to the arrival of the Spanish in 1771, the Serrano and Paiute indigenous people of Southern California created outdoor parietal rock drawings called petroglyphs in an area of the southern Mojave Desert known as Victor Valley. This once-remote desert is where the...