Georganne Deen, CEO of Goldman Sachs on trial at The Hague in Balmain, 2017 (detail), courtesy of the artist and CB1 Gallery.

CB1 Gallery:

Georganne Deen

Georganne Deen did not become disillusioned by recent geopolitical events—she’s been feeling that way for a long time. It’s just that her newest paintings reflect…
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Josh Jefferson, Picking a Crown (2017), courtesy of the artist and Zevitas Marcus.

Zevitas Marcus:

Josh Jefferson

Is a collage comprised of assembled painted canvases a collage, a painting, or assemblage art? Does the semantics even matter? “Jabberwocky,” Josh Jefferson’s exhibition at…
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“ONE YEAR: The Art of Politics in Los Angeles.” Installation view, courtesy of Brand Library & Art Center.

Brand Library & Art Center:


Whatever one’s disposition, “ONE YEAR: The Art of Politics in Los Angeles” at Glendale’s Brand Library & Art Center provides fuel for thought and stimulus…
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Ellen Gallagher, Aquajujidsu (2017). Oil, ink and paper on canvas. 188 x 202 cm / 74 x 79 1/2 in. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. Photo: Ernst Moritz

Hauser & Wirth Los Angeles:

Ellen Gallagher

There’s a lot to learn from Ellen Gallagher’s new exhibition. For example, it turns out Herman Melville was an Afrofuturist. And that the Atlantic Ocean…
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Lorna Simpson (American, born 1960). Waterbearer, 1986.
Gelatin silver print with vinyl lettering, 59 × 80 × 2¼ in. (149.9 ×
203.2 × 5.7 cm). Courtesy of Lorna Simpson. © 1986 Lorna


Black Radical Women

Rallying against overwhelmingly white, male perspectives in art history, “We Wanted a Revolution: Black Radical Women, 1965-85” at the California African American Museum (CAAM) is…
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Phyllis Green, Five Sheaths (2017), courtesy of the artist and Chimento Contemporary. Photo: Ruben Diaz.

Chimento Contemporary:

Phyllis Green

Spiritual aspirations present this fundamental dilemma: we exist as physical beings in a material world of far more palpable empirical reality than anything incorporeal, with…
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Miriam Schapiro; Installation view; Courtesy of Honor Fraser Gallery, Los Angeles, CA. Photo by Brian Forrest.

Honor Fraser:

Miriam Schapiro

Admirers of feminist artist Miriam Schapiro’s (1923-2015) work may be surprised to learn that this influential woman who founded the Feminist Art program at CalArts…
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Wanda Koop, In Abstentia (Deep Blue - White), 2016, courtesy of the artist and Night Gallery.

Night Gallery:

Wanda Koop

In her first exhibition in Los Angeles, Winnipeg-based artist Wanda Koop investigates the idea of dislocation. This dislocation is reflected in the exhibition title, In Absentia,…
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Carpe Diem Press section of James hd Brown: Life and Work in Mexico. Collection of USC Libraries. Photo courtesy of Eren Betin (@erenbetin).

USC Fisher Museum:

James hd Brown

USC Fisher Museum’s “James hd Brown: Life and Work in Mexico” is one of the few PST: LA/LA shows devoted to a SoCal-born expatriate. Born…
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The Words of Others: León Ferrari and Rhetoric in Times of War, 2017. Exhibition view at REDCAT. Photo: Taiyo Watanabe.


León Ferrari

In a letter to a fellow Argentine artist living in Paris, León Ferrari wrote, “We produce culture for our ideological enemies, and they gobble everything…
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Cody Norris, It's Only Castles Burning (2017), courtesy of the artist and Bermudez Projects.

Bermudez Projects:

Cody Norris

“Still Remains” is a small but provocative installation of twenty contemporary landscape paintings by Cody Norris in which the artist responds to the epic disfigurations…
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Nicanor Aráoz, Untitled, at proyectosLA. Courtesy of the the artist. Photo by Elizabeth Lippman.


Focus on PST: LA/LA

Along a lonely stretch of Main Street extending from Union Station to the Brewery Arts Complex, largely defined by seafood warehouses and girded by railroad…
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Kajahl, Baroque Classic III (2017), courtesy of the artist and Richard Heller Gallery.

Richard Heller Gallery:


Kajahl’s paintings vivify ancient statues, presenting them as dignified, mysterious multicultural personae. Embodying Western clichés from bygone eras, the characters in his current show titled…
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Joseph Dumbacher and John Dumbacher, "line-of-site," installation view. Courtesy of the artists. Photo: Alan Shaffer.

Santa Monica College:

Joseph Dumbacher and John Dumbacher

In “line-of-site,” Joseph Dumbacher and John Dumbacher have crafted an installation about geometry and perception. It is minimal and simultaneously maximal, suggesting expansive possibilities with limited materials….
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Flora Kao, "Homeland," at Gallery 825. Courtesy of the artist.

Gallery 825:

Flora Kao

Sometimes a drawing is not a drawing. For example, when an artist transcends rendering and goes for something entirely more direct. In the case of…
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Simphiwe Ndzube, The Underwater People (2017), courtesy of the artist and Nicodim Gallery.

Nicodim Gallery:

Simphiwe Ndzube

“Bhabharosi,” the title of Simphiwe Ndzube’s show and several works therein, is a neologism the artist coined from the words “barbarous” and “rose” in isiXhosa,…
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