Articles
The Sublime and The Beautiful Revisited Ascending even lower into the empyrean of autonomy, believing one’s own lies, the beauty that should only be seen through somebody else’s eyes. A pointless exercise, no purpose does it serve: tracking one’s moves, getting on...
I’m located at an arts institution (free to the public on Tuesdays). I’m a painting by someone who is better known as a sculptor. I’m older, but not ancient. I live in the permanent collection. I have color, but it’s severely limited (I’m mostly shades of white) I was...
On this special date—the Monday after Frieze Week LA—I would like to extend my best wishes to all, even the haters and losers. We made it through. I did it all this week, or as close to all of it as I could with merely a press pass. Here are my final stats, which I...
“Los Angeles is 72 suburbs in search of a city.” —Dorothy Parker This is a column about the Los Angeles art world. Or at least it was supposed to be. I successfully pitched this column on Wednesday December 4th, 2024 and my editor assigned me a deadline of Saturday,...
Even though the term ‘performance art’ has become a catch-all phrase, it still feels too narrow to convey the onstage antics of Dynasty Handbag, the performance persona of writer, visual artist and actor Jibz Cameron. When Titanic Depression debuted in New York in...
Chez Coronado Founded by Andy Little and Calli Webb and nestled in an unused portion of a basement under an apartment building, Chez Coronado specializes (so far) in works that, like the space, are small, intimate, personal and eccentric. Their most recent offerings...
Adrift between lust and sleep, the highway unwinds behind closed eyes, in scratchy sheets and stinging heat. A one-way street on repeat. Cracking the veneer, stripping it away, in the obvious light of day. Coming from nowhere, going nowhere, but never far enough. The...
Top 3 beers? Okay, without a doubt—Guinness. And because I’m in LA, I’m going to say Pacifico. And a can of Stella. Top 3 songs? Dirty Old Town by the Pogues. Sara by Bob Dylan. Chelsea Hotel #2 by Leonard Cohen. Top 3 dead painters? Alfred Wallis. Vincent, of course....
Since 2018, I’ve made a point of catching the Made in L.A biennial at the Hammer Museum, and at times I’ve come away with mixed feelings toward the city’s most ambitious survey exhibition. While it is worth asking — as many critics before me have — whether or not a...
Harley Wertheimer wears many hats: The native Angeleno is founder and director of CASTLE Gallery, as well as co-owner of Hollywood’s Stir Crazy café, and up until recently he was vice-president of A&R at Columbia Records. While Wertheimer got his professional...
Growing up on the Apsáalooke (Crow) reservation in Montana, Wendy Red Star witnessed the ways her cultural heritage was practiced, performed and integrated into the daily lives of her tribe. These customs seemed deeply disconnected from the displays in history museums...
Every time I say I don’t like Impressionism people lose their minds—and I get it, people love the stuff, can’t get enough. I admit that I sometimes say it just to freak them out, because you should see the looks. I mean, you’re probably looking at me like that right...
“Well, there were many creatures in the cave. And some of them had their problems, but all of them, they were my friends....You don’t meet friends like this every day, so I’m staying in the cave.” —Wounded Lion, “Creatures in the Cave” I first met Brad Eberhard...
As an urban kid growing up on Manhattan’s Upper West Side, I adored the American Museum of Natural History. The low-lit museum seemed like a palace of wonders to me. In its inner chambers the glowing dioramas of exotic animals in their native habitats appeared like...
Linda Vallejo’s career-spanning exhibition at parrasch heijen is a homecoming of sorts. The gallery is ensconced in the center of Los Angeles’ Boyle Heights district, where she was born, and a stone’s throw from the iconic Sears Building — an area where Vallejo spent...
While many of the contemporary art world’s basic assumptions have been challenged in recent years, one that has remained remarkably constant since at least the 1960s is the collective verdict on appropriation: It’s fine! Andy did it, so it must be—and too many...
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