COLA 2020 Sadly, so many art events, exhibitions, and performances have had to be canceled during Q time—too many to mention. Here I give a nod to the annual show for the COLA (City of LA) award winners from the previous year. They are each given $10,000 to create new...
In this passionate, lovingly detailed historical account of the struggle for social justice from multiple sectors of society in Los Angeles during an epic American decade, Mike Davis and Jon Wiener have written a history of activists who believed in democracy and...
The Swan Motel By Alan Yuch The hot nights, the swelter, even the walls would sweat. Sweet Marcy in the same cotton dress, patterned with red, white and blue balloons. The windowless room, matching walls, the air-flooded neon. This room was meant for sleeping,...
Congratulations to our winner Brian C. Moss and our finalists. Moss' photo is seen above and first in our photo gallery in the July/August online issue of Artillery. The following photographs are the finalists. Please see the info below on how to enter for our next...
Dear Reader, You may have noticed there was no May/June print edition of Artillery. Due to COVID-19, funds were low and galleries were shuttered, so we did an online-only issue. But we are back now with a Summer print edition, and we owe it all to a GoFundMe campaign...
When the lockdown ends and art-making resumes, there will be plenty of temptation to make art about what is happening in the world. Referencing popular culture in your art can carry risks. Andy Warhol and Jeff Koons were both successfully sued for things they...
We Will Never Forget the Spring of 2020 On May 25 the murder of George Floyd by Minneapolis police ignited a tinderbox over continuing racial and escalating economic inequality in this country. Of course, we were already dealing with the dreaded COVID-19, with its...
Ceci Moss is the director of Gas—a truck gallery that serves as “a mobile autonomous, experimental and networked platform for contemporary art” in Los Angeles. She has worked as the senior editor for the digital archive Rhizome and her impressive curatorial background...
Gomorrah by Eddi Saladoe Right when I believed that I was finally free from the angry longing and a need to hear your voice just one more time you come to me in dreams like smoke sneaking under a bedroom door the innocent sleepers unaware that the civilization...
Dear Reader, Our weekly newsletter has been addressing our shelter-in-place current status and with that I just want to chime in with most of our like-minded readers; we stand in solidarity with the present justified civil unrest. No one is proud of our country now,...
Dear Reader, The sun is sinking slowly outside my window as I sit at my desk with my trusty old cur by my side. I can feel the cool evening breeze and the quietude is almost alarming. This is a milestone for Artillery’s 13 years in publication: We put all our content...
Pomp & Zoom Spring usually heralds a spate of art-school grad ceremonies and shows—the equivalent of debutante balls for young artists and designers trained at our august art schools. This year with shelter-at-home and social-distancing mandates in place, there...
Congratulations to our winner Bettina Hubby and our finalists. Hubby's photo is seen above and first in our photo gallery in the May/June online issue of Artillery. The following photographs are the finalists. Please see the info below on how to enter for our next...
Three weeks ago I was visiting LACMA for their landmark exhibition “Where the Truth Lies: The Art of Qiu Ying,” featuring a Ming dynasty painter at the Resnick. Afterwards I came out to look for the plinth where a new Yoshitomo Nara sculpture would be going—the...
Spring is on its way, and the perfect time for a little getaway to the desert before things get hot. And you know how very very hot the Coachella Valley can be. Most of us may already have visited Joshua Tree National Park and Palm Springs, but there’s also Indian...
Dear Reader, The art world as we know it today is an industry. Like it or not, it is a conglomerate not unlike the film or music industry. It is a hierarchical system to be sure, but towards the top, the question of who rules is a little blurry. Is it the art museums...
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