For those familiar with the late painter Noah Davis and the lasting influence of his Underground Museum—the Arlington Heights exhibition space he operated with his wife and collaborator, Karon Davis—the Hammer Museum’s eponymously titled retrospective survey of the...
Goddesses once etched into stone tablets and later deified in oil paintings now live another immortal existence: nude or scantily clad, wet and voluptuous, digitally rendered and plastered across Reddit or X, they resemble magical beasts or aliens. Some have had their...
Since 2018, I’ve made a point of catching the Made in L.A biennial at the Hammer Museum, and at times I’ve come away with mixed feelings toward the city’s most ambitious survey exhibition. While it is worth asking — as many critics before me have — whether or not a...