Amalia Galdona Broche and Demetri Broxton’s recent Los Angeles debuts at Patricia Sweetow Gallery are nothing less than startling, sensorial revelations. Moving through the exhibition of these intimately personal works, it’s hard to catch one’s breath. Both bodies of...
Even when photographers are most concerned with mirroring reality, they are still haunted by tacit imperatives of taste and conscience. —Susan Sontag, "On Photography" Photographer Andy Freeberg has become something of an inadvertent cultural sociologist. Born in New...
One of my favorite paintings is a portrait of myself at the age of five or so, composed by my father. Along with my siblings’ pictures and beyond the sentimentality, these portraits have become distinctive family emblems and historical markers, wrought at a time of...
Victor Estrada erupted onto the art world landscape with his confounding work in the 1992 Los Angeles MOCA exhibition, “Helter Skelter: L.A. Art in the 1990s,” along with other luminaries such as Harry Gamboa Jr., Megan Williams and Mike Kelley. What’s mystifying is...
How apt that the new Cheech Marin Museum for Chicano Art and Culture in Riverside, California should open in a repurposed public library. Libraries are historically accessible spaces for learning and intellectual research. Museums, on the other hand, still struggle to...