Cornelia Parker's landmark retrospective at Tate Britain journeys through her multimedia work to narrate a country willingly stuck in small-island-energy. Parker (b.1956) examines objects by considering how they change when their associated value is disrupted,...
The woodblock prints by American painter, Frankenthaler (b. 1928) that form "Radical Beauty" at Dulwich Picture Gallery in London, follow the wave of recent retrospectives highlighting overlooked 20th-century female artists such as Hilma Af Klimt and Agnes Pelton....
Ania Hobson’s women often look like they don’t want to be in the spaces they find themselves in: ready to leave the party, staring at wine to avoid a conversation, planning an Irish goodbye. Her characters are dressed cool and distinct in their clothes, expressions...
Her multilayered works encompass oil, watercolor, and collaged paper cut outs. The works exist in the Black Atlantis.
“Jungerman’s materials and reference points present a postcolonial approach to the minimalist form: he visits visual references the viewer may associate with famed 20th century minimalist painters and reconsiders these forms with his own reference points. His geometric lines refer to grids seen in his childhood printed on Maroon tribal clothing, and in books of Western art that he consumed. The syncopated rhythm of the Agida Drum—a 2.5m long drum played in Maroon tribes’ rituals—are felt in the works, palpable in the rhythmic and fragmented movements of the lines.”
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!
