The current drawings of Christopher Murphy are for the most part unassuming and quiet. Only occasionally do they mesmerize through dramaturgy. Some appeal through inversions, others through thinly populated landscapes, which recall the recurrent theme in American...
When in 1851 the French writer Victor Hugo rose up against the coup d'état initiated by Napoleon III, the police were looking for him. Hugo had to flee Paris, the city in which his first child Leopold passed away in infancy and his beloved nineteen-year old daughter...
The Seattle-born painter, sculptor and graphic designer Cleon Peterson has created a true battlefield experience with his new exhibit “Blood & Soil,” satirically making use of the 19th-century German slogan that expressed an idealization of racial identity and...
"Spotlight—Selections from Kehinde Wiley’s The World Stage: Israel" is small, but splendid. The exhibit attracts through its display of exuberant colors, masterful artistic skill, and political relevance. It consists of two large-scale paintings from Wiley’s “World...
“The Collective Memory of the Worst Place to Live in the World Today If You Are Not White” is a small but nicely arranged exhibition comprised of Alejandro Cartagena’s current and previous work, contrasting Santa Barbara, California with Monterrey, Mexico. The main...
Laura Forman’s debut solo show at Sloan Projects—a rather small collection of six new artworks that differ clearly from each other—induces curiosity and offers a wide range of possible interpretations. Created in 2016, her oeuvre (all works untitled) reflects the vibe...
“Nkame,” the Belkis Ayón retrospective at the Fowler Museum, comprised of 43 collography prints, is about the Abakuá, an all-male secret society in Havana, formed by a group of slaves from southern Nigeria. However, there is another layer in Ayón’s body of work.The...
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